This is MADSAKI's Seiichi Nagai collection.

Sage says, 'He's really cleaned up his act.'

Apparently, Nagai's collection dates back seven or eight years?
This was from when Masaki was still Masaki, before he became MADSAKI,
and was creating work in NY.

'Masaki back then was into New Psychedelia,' he says.



Still, Masaki has really developed a great presence.

MADSAKI's refined live sketches are about to begin.

The thrill of obtaining something drawn right before your eyes

is surely unique to smile rock, isn't it?



Likewise, the live cutting with its superb technique

is usually kept secret and sacred, off-limits except for this smile rock event,

so no matter what, this is a must-see, absolutely unmissable event.

And yet, Mikito Ozeki's posture from behind is that of a judoka,

possessing a powerful presence, like gazing at the formidable Everest from its rear.

How can such delicate works emerge from this physique?



'The mountain has moved.'

Seiichi Nagai's action after a long hiatus is reassuring.

The essence of smile rock is truly also Nagai's way of life.

We can't take our eyes off it. smile rock again

Because this is Japan's first smile rock

it's no longer someone else's concern.

smile rock again
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← Diary-T 195-200