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ART | Roppongi Crossing 2013: Out of Doubt – For the Coming Landscape
Gallery

ART | Roppongi Crossing 2013: Out of Doubt – For the Coming Landscape

<strong>ART | Roppongi Crossing 2013: Out of Doubt – For the Future Landscape</strong> Yukinori Yanagi, "Eurasia," 2001. Installation. Ants, colored sand, plastic boxes, plastic tubes, plastic pipes. 235.0 × 594.5 cm (each 25.0 × 36.5 cm, 91 units total)
<strong>ART | Roppongi Crossing 2013: Out of Doubt – For the Future Landscape</strong> Masato Takasaka, "ANOTHER PROPOSITIONAL MODEL FOR THE EVERYTHING ALWAYS ALREADYMADE WANNABE STUDIO MASATOTECTURES MUSEUM OF FOUND REFRACTIONS 1994-2012 (r)eternal return to productopia-almost everything all at once, twice three times (in four parts…)," 2012. Mixed media, found objects, pine wood, MDF, lightbox. Variable dimensions. Installation view: "Masato Takasaka: ALMOST EVERYTHING ALL AT ONCE, TWICE, THREE TIMES (IN FOUR PARTS)" Gertrude Contemporary, Melbourne. Photo: Jake Walker
<strong>ART | Roppongi Crossing 2013: Out of Doubt – For the Future Landscape</strong> Masato Takasaka, "Return to Forever (Productopia)," 2009. Cardboard, wood, plastic, MDF, acrylic, paint, paper, juice cans, tape, discarded product packaging. Variable dimensions. Installation view: "Cubism and Australian Art" Heide Museum of Modern Art, Melbourne. Photo: John Brash
<strong>ART | Roppongi Crossing 2013: Out of Doubt – For the Future Landscape</strong> Mika Tajima, "Extra," 2010. Wood, canvas, acrylic paint, silkscreen, mirrored aluminum, paper, acrylic board, MDF, enamel spray, video monitor, Formica, glass, lights. 152.4 × 243.8 × 213.4 cm. Photo: Jason Mandella. Courtesy: Sculpture Center, New York
<strong>ART | Roppongi Crossing 2013: Out of Doubt – For the Future Landscape</strong> Kishio Suga, "Kankai Ku," 2010. Wire, cement. 220 × φ323 cm. Installation view: Gallery 604, Busan. Photo: Tsuyoshi Sato
<strong>ART | Roppongi Crossing 2013: Out of Doubt – For the Future Landscape</strong> Sohei Iwata × ProMinority, "House of Adibasi Prototype," 2010. Earth, bamboo, straw, straw bales, reeds, cow dung, water purification system using microorganisms, charcoal. 800 × 900 × 580 cm
<strong>ART | Roppongi Crossing 2013: Out of Doubt – For the Future Landscape</strong> Yoshinori Niwa, "Cheering a Socialist in Romania," 2010. Video documentation (29 min 09 sec), text. Courtesy: Ai Kowada Gallery
<strong>ART | Roppongi Crossing 2013: Out of Doubt – For the Future Landscape</strong> Sachiko Kazama, "Ah! The Closed-Off Ship of Billows," 2012. Woodblock print (panel, Japanese paper, ink). 181 × 418 cm. Photo: Kei Miyajima. Courtesy: Mujin-to Production, Tokyo
<strong>ART | Roppongi Crossing 2013: Out of Doubt – For the Future Landscape</strong> Sachiko Kazama, "Prison Gate Nuclear Fission 235," 2012. Woodblock print (panel, Japanese paper, ink). 181 × 120 cm. Photo: Kei Miyajima. Courtesy: Mujin-to Production, Tokyo
<strong>ART | Roppongi Crossing 2013: Out of Doubt – For the Future Landscape</strong> Hiroshi Nakamura, "Island [formerly "Okinawa Island"]", 1956. Oil on canvas. 130 × 162 cm. Collection of Hamamatsu City Museum of Art
<strong>ART | Roppongi Crossing 2013: Out of Doubt – For the Future Landscape</strong> Teppei Kaneuji, "Ghost in the Liquid Room (lenticular) #1," 2012. Lenticular, reflective sheet, wood. 180 × 180 cm. Courtesy: ShugoArts, Tokyo
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ART | Roppongi Crossing 2013: Out of Doubt – For the Future Landscape

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