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ART | Makoto Aida Exhibition: "Sorry for Being a Genius"
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ART | Makoto Aida Exhibition: "Sorry for Being a Genius"

<strong>ART｜Makoto Aida: Sorry for Being a Genius</strong> Makoto Aida documentary "I Only Exist in My Bad Works" © The Factory
<strong>ART｜Makoto Aida: Sorry for Being a Genius</strong> Makoto Aida "Gray Mountain" (2009-11) Acrylic on canvas, 300×700 cm Courtesy: Taguchi Art Collection. Production support: Atsushi Watanabe. Courtesy: Mizuma Art Gallery
<strong>ART｜Makoto Aida: Sorry for Being a Genius</strong> Makoto Aida "Ridgeway" (1991) Pigment, acrylic on panel, 73×52 cm Courtesy: Toyota Municipal Museum of Art, Aichi. Courtesy: Mizuma Art Gallery
<strong>ART｜Makoto Aida: Sorry for Being a Genius</strong> Makoto Aida "Giant Fuji Soldier VS King Ghidorah" (1993) Acrylic on acetate film, 310×410 cm Courtesy: Takahashi Collection, Tokyo. Courtesy: Mizuma Art Gallery
<strong>ART｜Makoto Aida: Sorry for Being a Genius</strong> Makoto Aida "Dog (Moon from Snow, Moon, Flowers)" (1996) Pigment, acrylic on panel, 100×90 cm Courtesy: Takahashi Collection, Tokyo. Courtesy: Mizuma Art Gallery
<strong>ART｜Makoto Aida: Sorry for Being a Genius</strong> Makoto Aida "New York Air Raid" (War Picture Returns) (1996) Six-panel screen. CG print on Japan Economic Journal and hologram paper, monochrome copy, charcoal pen, watercolor, acrylic, oil marker, correction fluid, pencil, fusuma, hinges, etc. 169×378 cm Zero fighter CG production: Mutsuo Matsuhashi. Courtesy: Takahashi Collection, Tokyo.
<strong>ART｜Makoto Aida: Sorry for Being a Genius</strong> Makoto Aida "Untitled (War Picture Returns)" (1996) Four-panel screen. Enamel paint, vinyl tablecloth, fusuma, hinges. Private collection. Courtesy: Mizuma Art Gallery
<strong>ART｜Makoto Aida: Sorry for Being a Genius</strong> Makoto Aida "Juicer Mixer" (2001) Acrylic on canvas, 290×210.5 cm Courtesy: Takahashi Collection, Tokyo. Courtesy: Mizuma Art Gallery
<strong>ART｜Makoto Aida: Sorry for Being a Genius</strong> Makoto Aida "Seppuku High School Girl" (2002) Acrylic, hologram film, output on transparent film, 119×84.7 cm Courtesy: Yasuyuki Watari. Courtesy: Mizuma Art Gallery
<strong>ART｜Makoto Aida: Sorry for Being a Genius</strong> Makoto Aida "Giant Salamander" (2003) Acrylic on panel, 314×420 cm Courtesy: Takahashi Collection, Tokyo. Courtesy: Mizuma Art Gallery
<strong>ART｜Makoto Aida: Sorry for Being a Genius</strong> Makoto Aida "One-Man Demo Machine (Anti-Salaryman)" (2005) Lambda print, 116.5×87.7 cm Courtesy: Mizuma Art Gallery
<strong>ART｜Makoto Aida: Sorry for Being a Genius</strong> Makoto Aida "Waterfall Painting" (2007-10) Acrylic on canvas, 439×272 cm Courtesy: The National Museum of Art, Osaka. Courtesy: Mizuma Art Gallery
<strong>ART｜Makoto Aida: Sorry for Being a Genius</strong> Makoto Aida "Heisei Fundraising Project" Limited edition work. A3 print. Courtesy: Mizuma Art Gallery
<strong>ART｜Makoto Aida: Sorry for Being a Genius</strong> Documentary film "I Only Exist in My Bad Works" © The Factory
<strong>ART｜Makoto Aida: Sorry for Being a Genius</strong> Following his creative process. © The Factory
<strong>ART｜Makoto Aida: Sorry for Being a Genius</strong> Filmed by Shogo Watanabe, a director whose main focus has been documentaries. © The Factory
<strong>ART｜Makoto Aida: Sorry for Being a Genius</strong> The film thoroughly captures the inner world of the pressured artist, while also revealing new facets of the "prodigy" filled with humor. © The Factory
<strong>ART｜Makoto Aida: Sorry for Being a Genius</strong> Makoto Aida with his wife, contemporary artist Yuko Okada. © The Factory
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ART｜Makoto Aida: Sorry for Being a Genius

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