Lounge
March 13, 2015
INTERVIEW | Jazz Vocalist Karen Aoki Interview (Part 1)
Just Before Her First Billboard Live Tour!
INTERVIEW | Jazz Vocalist Karen Aoki (Part 1)
We spoke with Karen Aoki, who released her curated best-of album, 'THE CLUB JAZZ DIVA,' on April 22nd and is set to perform live at Billboard Live in Osaka on July 14th (Tue), Fukuoka on the 15th (Wed), and Tokyo on the 18th (Sat).
Text by OPENERSPhoto by Jamandfix
"I think of jazz as punk for adults."
— Looking at the selections on your album 'THE CLUB JAZZ DIVA,' you've covered a wide range from jazz standards to Madonna and Nirvana. It truly feels like a best-of collection.
Karen AokiMadonna's "La Isla Bonita" was included in my fourth album, 'KAREN’s SWINGIN’ PARTY,' released on November 21st last year. That album was based on the concept of 'swing everything,' and we recorded it in New York with the big band Andy Farber & His Orchestra. So, I chose "La Isla Bonita" to see what it would sound like as a swing tune.
As for Nirvana's "Smells Like Teen Spirit," I was a punk girl in high school. The school rules were lax, so I'd dye my hair into a buzz cut or leopard print, and wear military uniforms to school every day, listening to punk music. I started jazz later in life, but I feel a chaotic spirituality in Nirvana's music; it has the scent of teen spirit.
— Why did you transition to jazz?
Jazz has many facets, and I think of jazz as punk for adults. That's why I wanted to perform "Smells Like Teen Spirit" in a jazz style. I believe jazz and punk share a similar core spirituality.
I arranged "Smells Like Teen Spirit" in my own way. Only the main melody was completed, but it felt far from what I envisioned. I felt there was no point in me singing it, so even though I finished recording it, I decided not to release it.
Then, I saw my close staff members getting into drunken arguments with people, and it sparked an idea! By adding a chorus that intertwined with the melody, it got closer to my vision, so I decided to release it.

— That episode sounds quite punkish too.
I think jazz is an approach to music that asks, 'What would *I* do with this?' That's why we don't call it a 'cover' in jazz. In pop music, you'd say 'I covered this song,' but that term isn't used in jazz. It's all about 'How will *you* sing this song?'
Singers inject 100% of themselves into the phrasing, timing, and tempo of a song. I think I'm the type who wants to do that, but also consider the arrangement and how it's presented.
"When I heard 'Moon River,' I felt it was my song."
— How do you perceive the appeal of standard songs like "Take The 'A' Train"?
Before becoming Karen Aoki, I debuted under the name Uran, writing my own original songs. It was what you'd call J-pop. I worked as a singer-songwriter for five or six years, but I reached a point where I felt like I was forcing myself to create songs. Six months later, I discovered jazz.
At that time, I listened to many songs and realized that jazz has countless masterpieces that I could never create even if I spent my whole life trying. I was moved by the opportunity to sing songs with such exquisite lyrics and powerful music.
The song that made me fall in love with jazz was "Moon River." When I heard the lyrics and melody, I felt, 'This is my song.'
— How old were you then?
I was about 26 or 27. As I listened, tears started to fall, and I thought, 'I should stop believing that I can only sing about things I've created.'
I was also drawn to the broad accessibility of jazz. Now, I feel the joy of singing.

— That was truly your encounter with jazz, wasn't it?
The best thing about doing jazz is the frequency with which I get to sing in front of an audience. A J-pop singer wouldn't be able to perform in a jazz club.
The wonderful thing about jazz is having dedicated listeners and the joy of conveying something to them. The pleasure of sharing continues to grow.
...Perhaps jazz is special, in a good way.
— How is it special?
I think jazz is a name given to a state of mind, rather than a musical genre.
It's about 'What do you do?' or 'What would *I* do?' Jazz is a verb.
Jazz Vocalist Karen Aoki Interview (Part 2)to be continued

'THE CLUB JAZZ DIVA'
RBCS-3111 (HQCD specification)
¥2,625
Karen Aoki with Club Jazz Allstars
Billboard Live Osaka | July 14th (Tue)
Service ¥6,300 / Casual ¥4,800 (includes 1 drink)
1st Open 17:30 Start 18:30 | 2nd Open 20:30 Start 21:30
Inquiries: Tel. 06-6342-7722
Billboard Live Fukuoka | July 15th (Wed)
Service ¥5,800
1st Open 17:30 Start 18:30 | 2nd Open 20:15 Start 21:30
Inquiries: Tel. 092-715-6666

Billboard Live Tokyo | July 18th (Sat)
Service ¥6,500 / Casual ¥4,500 (includes 1 drink)
1st Open 17:00 Start 18:00 | 2nd Open 20:00 Start 21:00
Inquiries: Tel. 03-3405-1133
http://billboard-live.com/ (Web)
http://billboard-live.com/m/ (Mobile)
Karen Aoki
In January 2006, she released her first album produced by Tatsuo Sunaga and Ryota Nozaki (Jazztronik). In April 2007, she was chosen as the main cast for the jazz music program "Groovin’ Jazz Night" on BS Asahi TV. In September, she released her second album, 'KAREN,' named after the program. In August of the same year, her radio show "Groovin‘Jazz Trippin’" (now concluded), sponsored by airline STARFLYER, began on Kyushu's cross fm. Simultaneously, Karen Aoki's program started on STARFLYER's in-flight audio.
From April 2008, she hosted "STARFLYER Groovin‘Aviator" on InterFM. In June, her third album "SHINING" was released, and she won the Adlib Award (Club/Dance category) from ADLIB magazine in 2008! From April 2009, "STARFLYER Groovin’Aviator," which airs on InterFM, was also broadcast on Fukuoka's Love FM every Sunday from 17:30 to 18:00.
A truly beautiful diva, she continues to sing messages that offer solace and guidance to modern women.
Karen Aoki Official Website
http://www.rambling.ne.jp/artist/karen/

