ASTIER de VILLATTE | A Collaboration with Setsuko, Wife of Painter Balthus
DESIGN / FEATURES
January 15, 2015

ASTIER de VILLATTE | A Collaboration with Setsuko, Wife of Painter Balthus


ASTIER de VILLATTE


Master Painter Balthus's Wife, Setsuko, Collaborates on New Collection


Behind the Scenes of the "Setsuko Collection" (Part 1)


Parisian ceramic brand, known for its understated elegance, is gaining quiet popularity. A new collection, created in collaboration with a Japanese artist whose work complements kimonos, will soon be unveiled in Tokyo.



Photograph by Ikuo YamashitaText by Terumi Hagiwara



A Reunion After 50 Years, Inspired by Art


Astier de Villatte. A popular ceramic brand in Paris. The shop opened in 2000 at 173 Rue Saint-Honoré, not far from Rue de la Paix. Opening the wooden door reveals shelves filled with pure white ceramics. The wooden floor that follows slopes dramatically, making one feel as if they've wandered into a medieval manor. The pure white ceramics have a rustic texture, reminiscent of Japanese *kohiki* pottery.

The designers are Benoît Astier de Villatte and Ivan Pericoli, both from Rome. Benoît met Ivan at the École des Beaux-Arts de Paris (National School of Fine Arts in Paris), and together they launched the ceramic and furniture brand "Astier de Villatte."

That very "Astier de Villatte" is now releasing a collection in collaboration with Setsuko, the wife of the master painter Balthus and a painter in her own right. We had the opportunity to handle the pieces firsthand at the Astier company's workshop in Paris and interviewed Setsuko and the duo, Benoît and Ivan.




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From left: Terumi Hagiwara, Benoît Astier de Villatte, and Setsuko



What led to this collaboration with Astier?

SetsukoSeveral years ago, I was struck by Astier's work. When I saw the name Benoît, I remembered him as the boy who lived at the "Académie de France" in Rome, where Balthus was director. I immediately called and arranged to meet.

After receiving your call, Benoît?

BenoîtOf course, I was surprised. I had only known her when I was about five years old. But when we met again, it felt like reuniting with dear family. The collaboration was decided on the spot. Normally, when I collaborate, I have meals with the other person and we talk for a long time. But with Setsuko, after a 50-year gap, we connected instantly.







ASTIER de VILLATTE
The pure white ceramics, with their transparency and nuance born from subtle adjustments in glaze, are crafted using traditional techniques with black clay from the Parisian suburbs, a method typically used for sculpture. The ceramic surfaces are not uniform; air bubbles and the darker undertones of the clay show through, revealing the handiwork of skilled artisans. Astier de Villatte cherishes these characteristics, viewing each piece as a unique vessel with its own story to tell. In 2008, they launched a collection of scented items with stylist Émilie Mazoyer, one of the brand's members. Today, in addition to ceramics, furniture, and objets d'art, they offer eau de cologne, incense, scented dish soap, and perfume candles.




All Collaboration Pieces Unveiled
Astier de Villatte and Balthus's Wife, Setsuko Klossowska de Rola Exhibition


Dates: Saturday, April 19 – Monday, May 19
Venue: H.P.DECO
5-2-11 Jingumae, Shibuya-ku, Tokyo
Tel. 03-3406-0313
www.hpfrance.com/sp/astier/index.html

Astier de Villatte
Tel. +33 (0)1 42 60 74 13
www.astierdevillatte.com/






ASTIER de VILLATTE


Master Painter Balthus's Wife, Setsuko, Collaborates on New Collection


Behind the Scenes of the "Setsuko Collection" (Part 2)



Astier's New Frontier: Evoking the Painter's Presence and Nostalgia




What impression did Astier's work leave on you?


SetsukoTheir sensibility that finds beauty in irregular shapes. That resonated with me.

When you design, how do you develop your ideas?

SetsukoAstier's ceramics are finished using a unique "kneading" technique by Tibetan artisans. I design pieces that leverage this characteristic.

BenoîtSetsuko's creative ideas just keep coming. She has incredible energy.


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From left: Benoît Astier de Villatte, Setsuko, Terumi Hagiwara, and Ivan Pericoli




We were invited to the atelier and shown the pieces.



BenoîtThese are deep plates inspired by the exterior decorations and moldings of the "Grand Chalet" where Setsuko lives in Switzerland. And this is a cheese plate and knife, designed to resemble a palette and brush.

SetsukoThis isn't finished yet, but it's a candlestick with a fig leaf motif that I'm most excited about. It will be a large, one-of-a-kind piece. After exhibiting it at the Milan Salone, we plan to show it in Tokyo.

What are your future plans for new works?

SetsukoI have so many things I want to create with Astier. Please look forward to them.


Benoît and Ivan design pieces that are inorganic and abstract. Setsuko's work features motifs that offer a glimpse into her life with Balthus. These elements create a new world, blending nostalgia with modernity.

Setsuko had always been a woman I admired and wanted to speak with. Our appointment during Paris Fashion Week was at 9:00 AM, but as usual, she was impeccably dressed in a kimono. We went to the Chanel show together at 10:30 AM, and predictably, we got caught in traffic. As we approached the Grand Palais, we had to run. Seeing her running with her kimono hem in hand, I felt as though I was witnessing a Japanese woman who had left something behind. I hope to discuss kimonos with her next time.





Setsuko Klossowska de Rola

She met the master of modern figurative painting, Count Balthazar Michel Klossowski de Rola (1908-2001), known as Balthus, in Kyoto at the age of 20 and married him. As the chatelaine of the "Académie de France" in Rome, where Balthus served as director, she supported her husband and modeled for one of his major works, "The Turkish Room." From the 1970s, she began her own career as a painter, releasing numerous artworks. In 1977, the family moved to the "Grand Chalet" in Rossinière, Switzerland, built that year. This is the largest wooden building in Switzerland and is designated a national cultural property. Balthus spent his later years here, and his wife assisted him in all aspects in his atelier until his passing. After his death, she became the honorary president of the Balthus Foundation. She has expanded her activities not only as a painter but also as an essayist. Her books include "De Rola Setsuko's Wagokoro Hospitality" (Shinchosha) and "Meeting Flowers, Seasons. And Life." (Kadokawa Magazines).





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Japan-Switzerland Diplomatic Relations 150th Anniversary: Balthus Retrospective Exhibition Held
To commemorate the 150th anniversary of diplomatic relations between Japan and Switzerland, a major retrospective of Balthus's work has been organized. It will be held at the Tokyo Metropolitan Art Museum in Tokyo from Saturday, April 19, and at the Kyoto City Museum of Art in Kyoto from Saturday, July 5. The exhibition will feature over 40 oil paintings gathered from around the world, including pieces from the Centre Pompidou, the Metropolitan Museum of Art, and private collections. This marks the first and largest exhibition of his work in Japan since his passing. The exhibition will also recreate Balthus's atelier, where he spent his later years, alongside his personal belongings. It offers an exploration into the creative background of the painter, whom Picasso called "the last master of the 20th century."



Learn more about the "Balthus Exhibition" →









Dates: Saturday, April 19 – Sunday, June 22
Venue: Tokyo Metropolitan Art Museum
8-36 Ueno Park, Taito-ku, Tokyo, Special Exhibition Gallery
Closed: Mondays, Wednesday, May 7
(Open on Monday, April 28 and Monday, May 5)

Tokyo Metropolitan Art Museum, Special Exhibition Gallery
Tel. 03-5777-8600 (Hello Dial)
http://balthus2014.jp/



Dates: Saturday, July 5 – Sunday, September 7
Venue: Kyoto City Museum of Art
124 Okazaki-Enshoji-cho, Sakyo-ku, Kyoto (within Okazaki Park)
Closed: Mondays (Open on Monday, July 21)

Kyoto City Museum of Art
Tel. 075-771-4107
www.city.kyoto.jp/bunshi/kmma/